Not every mix demands that you sit and listen from start to finish. Some are made to play in the background of a slow morning, a cup of coffee, a half-read book. Nina Yamada’s Sunday Downtime 004 is one of those.
The person behind the mix

Nina Yamada grew up in Kamakura, Japan, and now lives and plays in London. There she founded Jazzy Sport London, the first international branch of Jazzy Sport, the independent Japanese record label and record store. Her taste began with her father’s vinyl collection and is built on deep house, then stretches into Afrobeat, jazz, Latin and reggae. From the kissas of Tokyo to Panorama Bar in Berlin, from Wonderfruit in Thailand to nights alongside Theo Parrish in the UK, she follows one principle: music should have groove, and groove should have room to breathe.
A complete listening arc
Episode 004 opens in a very organic way. A few notes are enough to feel at home, like walking into a familiar room without anyone showing you the way. There’s no grand intro and no loud invitation. The set is simply there, waiting for you to sit down.
In the middle, the mix deepens. The genres flow into one another with almost no visible seams: the warmth of jazz, the gentle sway of Latin rhythms, the low depth of reggae, the smooth movement of deep house. It feels like a journey where you don’t need to know the destination, only let the music lead.
Then the set closes with soft, jazzy melodies. There’s no hard stop, just a comfortable nod that leaves you wanting to press play again from the beginning.
Why give it nearly two hours
A mix this long is rare these days. It doesn’t ask for your attention, only that you don’t rush. It doesn’t chase the peak energy of the dance floor, and instead trusts that groove doesn’t have to be loud to reach you.
Put it on during a leisurely Sunday morning, a late afternoon when the sun starts to soften, or whenever you want to sit with friends without saying much. This is music that gives an ordinary moment more depth without trying to turn it into something special.

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